Now here is a funny thing l hadn’t really thought about until this week and drawing this Grasshopper. I mean l had thought about it a bit, but it dawned on me properly this week, that l love texture!
One of the big appeals in drawing birds and fish and lizards and insects is their varied textures. How do you make pencil look textured?
Someone pointed out to me this week that l don’t work in the usual tiny circles, they said that l, ‘use dots, dashes and lines’. I had never thought about this, but actually it is true. I don’t think l ever use tiny circles (unless l am creating the bumps on a lizards skin).
What l realized for the first time this week was that l don’t just like the appearance of texture, l like real texture, that you can see. It is true that you can only see it if you hold it at the right angle in the light, but it is there.
l was probably thinking of this because this grasshopper is so full of texture.
One very subtle way of creating texture that l always use (and is why l never work in little circles) is simply by making your pencil strokes follow the texture. So for a cats fur you work strands of fur in the direction of the fur, at the length of a strand of fur. An eye wants to be smooth but by working in curved lines of the shape of the eye ball you create a subtle roundness along with the smoothness. The upper body of this grasshopper was very dimpled looking, so l worked in dots.
But l have found that more and more l am creating texture then adding color. So on this grasshopper wing, l drew in all the veins and dots in pale colors, working with very heavy pressure to emboss them into the paper (there is a link below to a step by step guide for doing this showing you exactly how l did it and a complete color list).
When l draw feathers l often use a pale color to emboss the paper with individual strands. With lizards l will emboss small circles. With fish l will emboss tiny dots to make the texture of the scales.
At the end when a piece is burnished and you hold it up to the light all that embossing adds a little three dimensional quality to the beautiful, magical sheen that you get with colored pencils. It is subtle but beautiful. If you haven’t tried a little embossing on your work, you really should try it at least once and see if you like it.
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